Category Archives: Rare Books

Pertaining to our rare book collection materials

The Magic of Dickens

 

Memoirs of Robert Houdin.

Memoirs of Robert Houdin.

From an early age, Charles Dickens was fascinated by all things paranormal. He pored over tales of phantoms, murder, and cannibalism. Later, he belonged to London’s famous Ghost Club that investigates ghosts and hauntings to this day. (Arthur Conan Doyle was a member, too.) Dickens was also a believer in the benefits of mesmerism, a fairly new and controversial therapy that he practiced on family and friends to some success.

What does this have to do with Boatwright Library? Well, in our Galvin Rare Book Room we have a book purchased from Dickens’ personal Dickens3library–a two volume set of the Memoirs of Robert Houdin (Rare Book Room GV1545.R47 A4 1859a, v. 1 & 2), a French magician of great importance. (Houdini took his stage name from Houdin.) If the label in the front saying, “From the Library of Charles Dickens,” isn’t enough, on page 1 of volume one, in very girlish penmanship is written “Katey Dickens”, his youngest sur

Dickens23

viving daughter’s signature.

Need more? We have original serialized copies of David Copperfield, as well as, Little Dorritt, Bleak House, and others, complete with illustrations. We also have two collections of sketches and illustrations of Dickens’ work by George Cruickshank and Thomas Sibson.

So, drop by the Galvin Rare Book Room and have a Dickens of a time!

 

 

 

 

 

 

Leaves of Grass First Edition

IMG_1403The Galvin Rare Book Room has a copy of the 1855 first edition of Walt Whitman’s Leaves of Grass. We were duly proud of this copy and used it in a display some months ago. A resident Whitman scholar, Rob Nelson, director of the Digital Scholarship Lab, saw it and was amazed that we owned one of the 158 known copies still extent. Sometime later, an antiquarian book seller’s catalog listed a copy for sale in excess of $170,000, making our book possibly the most monetarily valuable book in our collection and worth a little extra study.

This edition has been widely studied, especially by Ed Folsom of the University of Iowa. In the Walt Whitman Quarterly Review in 2006, he printed a Census of the 1855 Leaves of Grass. He had collected information from all the known owners of the book looking for information about the various anomalies that make this edition so fascinating. He received answers from owners (including Boatwright) as to which binding they owned, the frontispiece picture, typos contained and changes made.

Leaves of Grass was a self-published work, and Whitman, himself a trained printer, set much of the type. It was printed at his friend Andrew Rome’s print shop in between runs of legal forms. Scholars believe this is the reason the book is so large—the paper on hand and the press were all set for legal forms. Also, Whitman proofread as the pages came off the press, so typos in one book of the same edition, do not appear in others. His miscalculations on how many pages his book would be, caused spacing to change and titles of poems to be dropped as printing First Page.continued.

There are some famous anomalies to look for that are quite interesting. During the printing process, Whitman completely changed a line of “Song of Myself” from “The night is for you and me and all” to “The day and night are for you and me and all.” The earlier “night” version appears in 44 of the 158 copies, including Boatwright’s copy. While this difference was intentional, there are others that were not. The last line of “Song of Myself” either has a period or it doesn’t. (Boatwright’s copy does not.) Most scholars believe this is a press error, but some think Whitman was making a statement about open-endedness. Another glaring typo occurs in the final triplicate of the poem, “Failing to fetch me me at first keep encouraged.”

Cover PageAnd then there is the most controversial of all, the frontispiece drawing. It is an engraving of a daguerreotype of Whitman, full body, wearing working clothes. There is an enhancement to the portrait that appears in all copies of the very first binding of the book (there are three different bindings of lesser and lesser value). The enhancement is known as the bulge, darker shading at the right of the crotch. Many of the second binding copies do not have this. Boatwright’s copy does, which helps place our copy in the earliest run of the book in June of 1855.

Whitman, the bookmaker, turns out to be almost as fascinating as Whitman, the poet. And, books as objects are equally fascinating.

+Folsom, Ed. “The Census of the 1855 Leaves of Grass: A Preliminary Report.” Walt Whitman Quarterly Review 24.2 (2006): n. Web. 13 March 2014.          

Faster than a Speeding Train!

Arna Wendell Bontemps

Boatwright Library recently hosted an event that was part of the Children’s Literature Association Conference. While at the library several participants toured the Galvin Rare Book Room and part of our children’s literature collection. One book garnered considerable attention: The Fast Sooner Hound by Arna Bontemps and Jack Conroy, illustrated by Virginia Lee Burton, part of our Mark Lutz Collection.

The Faster Sooner Hound

The Faster Sooner Hound

You may recognize Virginia Lee Burton’s name from Mike Mulligan and His Steam Shovel (1939) and the Caldecott medalist The Little House (1942). But the other two authors may not be as familiar. Jack Conroy, among many other things, was a left wing writer and editor in the 30’s with ties to many writers in the Harlem Renaissance. He also worked in the Writer’s Project of the Works Progress Administration (WPA), collecting folk tales and oral histories. One such story was the tall tale of a dog that could outrun the fastest train. He worked with Arna Bontemps to create the book.

Arna Wendell Bontemps was born in Louisiana in 1902 to a Creole bricklayer and a schoolteacher. When he was three, his father moved the family to California after a racist attack. He was sent to the San Fernando Academy and instructed by his father to not “go up there acting colored.” Bontemps resented the effort to make him renounce his heritage. When he graduated college he took a teaching job in Harlem. He soon married and had six children doing away with his dreams of a Ph.D. in English. But he did become closely connected to the Harlem Renaissance and friends with Countee Cullen, W. E. B. DuBois, Zora Neale Hurston, James Weldon Johnson, Claude McKay, Jean Toomer, and especially Langston Hughes, with whom he frequently collaborated.

He published poems, for which he won prizes, and novels, including Black Thunder, the tale of a slave rebellion near Richmond, Virginia planned by Gabriel Prosser. He moved to Huntsville, Alabama to teach college; and finally went back to school to get a degree in library science from the University of Chicago (1943) and became a librarian at Fisk University where he worked until his retirement in 1965. Until his death in 1973, he held professorships at the University of Illinois and Yale University, and a return to Fisk as a Sooner2writer in residence.

The rare books room copy of The Fast Sooner Hound is as lovely to look at as to read. Come take a look.

The Little Prince & His Pilot

little prince sketch

You’ll be bothered from time to time by storms, fog, snow. When you are, think of those who went through it before you, and say to yourself, ‘What they could do, I can do.’

~ Antoine de Saint Exupéry,
Wind, Sand, and Stars, 1939

 

When I find a piece of history untouched for years (or even decades), a book with a sentimental inscription, a long-ago letter to a loved one far away — these moments are just a few of the special ones which cross my path on a regular basis.  Sometimes it is working with a researcher, especially one searching out bits and pieces of their family history, who makes a discovery about an ancestor previously unknown to them.  Sometimes it happens when I’m teaching.  I’ll see a student learn that the things they have to do sometimes become something they want to do instead.  Or, even more fun, when I work with someone who claims to have no interest in history, and watch them connect with a diary entry of a college student from the 1880s, a newspaper clipping from their hometown from the 1910s, or a photograph of some person or event that speaks to them across the years.  Moments like that are the unexpected joys, the ones that brighten a gray or cold day with sunshine from the inside.

Sometimes there are moments when I reconnect with a piece of my own past. I remember reading The Little Prince as a child and dreaming of flying free, exploring strange planets, and meeting a fox all my very own.  I’ve made a habit of re-reading it every few years, and each time I do, I come away feeling as though I’ve learned something different every time. The Little Prince was first published on this day in 1943, so let’s take a moment to celebrate that character and the pilot who created him.

When I first learned that the author of The Little Prince was a pilot, and that in many ways he was indeed much like the little prince of his book, I was charmed. And I knew I wanted to explore both the prince and the pilot.  Born into an old French noble family, Saint-Exupéry trained as a pilot in the early 1920s, a career which took him far and wide.  Eventually, he flew routes across North Africa, working on the air mail (Aéropostale) route between Toulouse and Dakar.  He was stationed at Cape Juby airfield, in South Morocco, inside the Sahara Desert for a number of years before directing the Aéropostale in Argentina.  During World War II, he flew reconnaissance flights, and, in fact, was on one such flight when he disappeared in 1944.

Antoine de Saint-Exupery, pilot

Antoine de Saint-Exupéry, pilot

Doing this research gave me the opportunity to delve into his other writing.  Many of these books are centered on his experiences as a pilot, including his first major work in 1931, Vol de nuit (Night Flight).  In 1935, he and his navigator were nearing the end of a long flight when they crashed in the Libyan portion of the Sahara Desert.  His memoir of survival, Wind, Sand and Stars, harbors echos of his future story of a little prince.  Other works included Flight to Arras, which dealt with a troubling reconnaissance mission, and the posthumously published work, The Wisdom of the Sands.

What was most interesting to me, however, was trying to reconcile the adventurous and somewhat undisciplined pilot, an aviation pioneer in many respects, with the lyrical, charming, and even sentimental, writer.  The two worlds don’t usually mix.  But he did, and he did it well at that. Reading his detailed story of surviving the crash in the desert brought home the crash of the little prince.  And learning of the pilot’s mysterious disappearance (although somewhat less mysterious now) helped understand the departure of the Little Prince.  As Saint-Exupéry himself wrote, “flying and writing are one and the same for me.”

It seems both brought him some bit of joy. Doing this research brought moments of joy to my world – the chance to re-read a favorite book, and the opportunity to bring a bit of it to life in the story of its author. Stop by the Galvin Rare Book Room to see our 1943 French edition of The Little Prince and our beautiful 1942 numbered and signed edition of Flight to Arras, as pictured below.
IMG_1505IMG_1504

Evolution of the Paperback

boni2 Continuing the Irish theme this month, we came across this book by Francis Hackett—The Story of the Irish Nation. It is a lovely book of stories of a storied land with wonderful illustrations. Not as in depth as some histories, but easily read and very informative.

But this is a situation in which the book itself is even more interesting that the content. This is a Boni Book, which was one of the precursors to the mass market paperback. Albert Boni and Horace Liveright formed B&L Books (which would eventually become Random House). They separated after only a year, and Albert began his “Little Leather Library” in 1920. The books were more a novelty than serious publications.

http://www.bookscans.com/images-oddities/boni-dewer-ic.jpg

End papers.

His brother, Charles Boni began printing paperback books by himself in 1929 under the imprint Charles Boni Paper Books. (Reminiscences of a Cowboy by Frank Harris, Rare Book Room F596.H31). They featured wraparound covers with artwork by Rockwell Kent. And there were ornate end papers front and back. They sold by subscription at $5.00 a year for one book a month, or for 50 cents each in stores.

Title page.

Title page.

By 1930, the books became “Bonibooks” and the title pages changed to include both brothers, Albert and Charles Boni, with the date 1930, as in our featured book. These are not the quick and cheap paperbacks that began in 1939 with Pocket Books, but well-made and designed, with good paper and binding. They correspond more to what we today call trade paperbacks.

(The drawings in this book are by Harald Toksvig, not Rockwell Kent. Hackett’s wife’s name was Signe Toksvig, by the way.)

The Common Chord

It’s March, and our thoughts turn to things Irish. Well, some of them anyway. And Ireland is well represented in the Galvin Rare Book Room. From Behan to Yeats and rebels to kings, there’s a

Frank O'Connor

Frank O’Connor

bit of everything here.

One name that might not be as familiar to some is Frank O’Connor. He was born Michael Francis O’Donovan in 1903 to an alcoholic father and an abusive mother. At 15 he joined the Irish Republican Army and served in combat during the Irish War for Independence. He also joined the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork City. Between 1922 and 1923 O’Connor was imprisoned in Cork City Gaol, where he studied languages, read, and wrote.

After his release, he took many jobs including a teacher of Irish, theatre director, and librarian. He began to move in literary circles where he came to know most of the including Yeats. In 1935 he joined the board of directors of the Abbey Theater (started by Yeats and other members of the Irish National Theatre Society) and in 1937 became its managing director. He spent most of the 1950’s teaching in the United States where his stories were quite popular.

Probably best known for his varied and comprehensive short stories but he is also known for his work as a literary critic, essayist, travel writer, translator, and biographer. He was also a novelist, poet and dramatist. Many of his writings were based on his own life experiences and wrote about his early years in An Only Child. Since 2000, The Munster Literature Centre in O’Connor’s hometown of Cork has run a festival dedicated to the short story form in O’Connor’s

The Common Chord

The Common Chord

name. The Frank O’Connor International Short Story Award is awarded to the best short fiction collection published in English anywhere in the world in the year preceding the festival.

The Rare Book Room’s volume is called, The Common Chord: stories and tales of Ireland, and is signed by the author. The description on the inside cover says: “The ‘common chord’ of the title is sex—but its treatment, while running a very wide range, never includes the suggestive or the obscene.” And through it all runs the lilt of Irish humor and wisdom.

The Ides of March

The Ides of March

The ides of March or March 15th was a day of religious celebrations in ancient Rome and notoriously the date of the assassination of Julius Caesar.

In our Rare Book Room we have a copy of Thornton Wilder’s The Ides of March, a novel about Caesar told through imaginary letters and documents cleverly revealing what Caesar the man may have been like. This copy is part of The William Dew Gresham Collection. Mr. Gresham collected signed copies of great books. This copy is signed by Mr. Wilder to Mr. Gresham in 1951.

The Ides of March was published in 1948, ten years after Wilder’s Pulitzer Prize winning play, Our Town. (His The Skin of Our Teeth won the 1943 Pulitzer.) He wrote seven novels, including The Bridge of San Luis Rey which won the Pulitzer in 1928. His play The Matchmaker ran on Broadway for 486 performances from 1955-1957. It may be more familiar as it’s musical adaptation, Hello Dolly!

IMG_1004 Wilder was enormously successful in many different genres including translation, acting, opera librettos, lecturing, teaching, and film (he wrote the screenplay for Alfred Hitchcock’s 1943 psycho-thriller, Shadow of a Doubt.) His many honors include the Gold Medal for Fiction from the American Academy of Arts and Letters, the Presidential Medal of Freedom, and the National Book Committee’s Medal for Literature. On April 7, 1997, what would have been his 100th birthday, the US Postal Service unveiled the Thornton Wilder 32 cent stamp.

Another February Literary Birthday–James Dickey

James Dickey in his study.

James Dickey was born on February 2, 1923 in Buckhead, Georgia, a suburb of Atlanta.  From an early age his lawyer father read his son famous speeches which awakened in him an interest in poetry.  His first purchase as a young man was the collected works of Byron.

At 6 feet, three inches tall he played high school football, and then varsity at Clemson.  In 1942, he enlisted in the Air Force and between missions read the poetry of Conrad Aiken and other poets, finally developing a taste for apocalyptic poets such as Dylan Thomas and Kenneth Patchen.

After the war, he studies anthropology, astronomy, philosophy, and foreign languages, as well as English literature at Vanderbilt.  He began publishing poems and continued to study in graduate school at Vanderbilt and Rice.

Another stint in the Air Force during the Korean War had him training officers.  When he left he briefly turned to teaching at the University of Florida.  In 1956, he moved to New York City where he wrote advertising copy at McCann-Ericson Agency.  He eventually moved back to Atlanta to work in advertising there.

In 1960, his first collection of poetry, Into the Stone and Other Poems, was published and he soon left advertising behind.  He received a Guggenheim Fellowship, the Melville Cane Award and the National Book Award.  And though he thought of himself as a poet, he is probably most widely remembered for his best-selling novel, Deliverance.

“Applauded for their ambitious experimentation with language and syntax, Dickey’s poems address humanity and violence by presenting the instincts of humans and animals as antithetical to the false safety of civilization. Called “willfully eccentric” by the New York Times

In the Rare Book Room.

In the Rare Book Room.

Book Review and “naturally musical” by the Chicago Tribune Book World, Dickey’s work testifies to the power of the human spirit, especially under extreme conditions.” (http://www.poets.org/poetsorg/poet/james-dickey)

The Galvin Rare Book Room has three of Dickey’s works. A first edition of Deliverance, signed by the author.  A book of his collected poems, signed “to the students and faculty of the University of Richmond and Boatwright Memorial Library, Christmas, 1975.”  And finally, The Strength of Fields, written for the inauguration of President Jimmy Carter.

Born on the 14th of February

Frank Harris

We should probably be running a post about Frank Harris during Banned Books Week instead of as a representative of February 14th, his birthday in 1855.  Born in Ireland, he was an editor, journalist and publisher, who hobnobbed with the likes of George Bernard Shaw, Oscar Wilde, H. G. Wells, Winston Churchill and Max Beerbohm.   While his reputation painted him as a rake and rascal, he idealized Jesus, Goethe, and Shakespeare, and was almost elected a Conservative Member of Parliament.

Early in life, he emigrated to America, settled in Kansas and did odd jobs until finally attending the University of Kansas to study law.  He graduated, became a citizen and practiced law until he grew tired of the law and went back to Europe in 1882.  After traveling around, he settled in London and became a journalist.

He had quite a reputation for irascible and outspoken personality, and his editorship of London papers and Pearson’s magazine. He also wrote short stories, and novels, two books on Shakespeare, five volumes under the title Contemporary Portraits, and biographies of his friends Wilde and Shaw. His book My Reminiscences as a Cowboy was made into a movie with Jack Lemmon. But his most notorious publication was his four volume memoir, My Life and Loves which destroyed his reputation. The book was banned in many countries for its sexual explicitness.

The Galvin Rare Book Room has three of his books, one signed.  Unpath’d Waters, a collection of stories with titles such as The Holy Man and The King of the Jews.  (Rare Book Room PR4759.H37 U53 1913)  Elder Conklin and other stories, is a bit racier than the former book.  (Rare Book Room PR4759.H37 E4 1894) And the third book is a treatise on the first World War, England or Germany–? (Rare Book Room D523.H251915) with chapters titled “Christian Morality and War”, “The ‘Soul of Goodness in Things Evil'”, and “Who Will Win the War?”  Mr. Harris was a write not to be pigeonholed!

 

Valentine, the Artist

 

Portrait of Edward V. Valentine.

Portrait of Edward V. Valentine.

In researching timely items for blogging, sometimes interesting things pop up that we weren’t expecting. Because it’s February, we decided to see what rare books and special collections had to offer on Valentine’s Day. In looking up Valentine in the catalog, meaning the day to give love notes and flowers, we came across listings for books about and by the Valentine Museum. And there was the book, Dawn to Twilight: work of Edward V. Valentine, by his great niece, Elizabeth Gray Valentine, and signed by Valentine and the author. (Galvin Rare Book Room NB237.V3 V3.)

Edward Valentine was born in Richmond in 1838. He studied under Couture and Jouffroy in Paris; with Bonanti in Italy; and August Kiss in Berlin. He worked in clay, plaster, marble and bronze to create portrait busts, ideal figures, and public sculpture. In his 50 year career, he specialized in notable Southerners and fellow Virginians building a reputation as one of the most talented Southern sculptors of the post-Civil War period. Some of his most famous works are the recumbent statue of Robert E. Lee at Washington & Lee University, the statue of Jefferson at the Jefferson Hotel, and the Jefferson Davis Monument on Monument Avenue.

Recumbent Lee by Edward V. Valentine.

Recumbent Lee by Edward V. Valentine.

He briefly headed the Valentine Richmond History Center and his restored studio is part of that facility. (You can visit it downtown at 1015 East Clay Street.) In the latter years of his life, he put aside sculpture and spent his time researching his native city, Richmond. Dawn to Twilight uses his diaries and his own stories to tell more about this fascinating life.