(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.)  Hi all, and welcome back to #WyattWalkerWednesday! I know it’s been awhile since we posted last, and I promise we’ve been hard at work behind the scenes, processing the collection and answering questions. I’ll have an update later next month about that, but I wanted to take this week’s post to discuss an upcoming symposium happening in about three weeks.

In a similar vein to the previous symposium, held in the fall of 2018, the Wyatt Tee Walker and the Politics of Black Religion symposium will use Dr. Walker’s life, work, and legacy as a starting point. This symposium, as the name suggests, focuses on the interconnected worlds of black religion and politics, especially through the lens of the Civil Rights Movement of the 1960s through today. One such thread that may be of particular interest to long-time blog readers is the role of music in both arenas, a topic that was deeply significant to Dr. Walker and his work.

Scholars will be coming from as far afield as Reed College in Portland, Oregon, and will be held across three days. The first day is hosted at the University of Virginia in Charlottesville, while the second and third days are hosted here on campus. And of course, the Dr. and Mrs. Wyatt Tee Walker Collection will be there: there will be an exhibit of pieces from the collection throughout the third day.

The symposium will be held February 19-21 and is free to attend with no advanced registration required. For more information on the speakers, schedule, and other details, please visit the symposium’s website.