Category Archives: Book Arts

Relating to books arts and/or the book arts studio

New Open Hours – Fall 2019

Door to Galvin Rare Book Reading RoomFall semester 2019 brings some new things to Rare Book & Special Collections.  We are trying out different open hours for research this fall as well as having new ways to schedule materials and appointments and to schedule instruction sessions.

When classes are in session, our Fall 2019 open hours are:

Sundays & Mondays: 2-6pm

Tuesdays & Wednesdays: 11am – 3pm

If you would like to set an appointment outside of those hours or have specific materials you would like us to have ready for your visit, please submit your request through this form.  If you would like to schedule an instruction session or class visit, please submit the request via this form.  Finally, if you are interested in learning more about our Books Arts program or scheduling a consultation or instruction session with our Book Arts Studio director, Jen Thomas, check out the Book Arts page or send a request through this form.

We look forward to working with you this fall!

Introduction to the new Book Arts Studio Coordinator

Staff photo of Jen Thomas

Hello! I’m Jen Thomas, the new Book Arts Studio Coordinator within Rare Books and Special Collections here at Boatwright Memorial Library. I’d like to introduce myself and tell you about the Book Arts Studio and the work I’ll be doing here in the library and beyond.

I completed my BFA in Communication Arts with a minor in Painting and Printmaking just down the road at VCU, then packed up and moved to Chicago to earn an MFA in Book and Paper Arts at Columbia College Chicago. While working on my MFA, I interned at Landfall Press, assisting with printing and fine finishing work for artists as varied as Lesley Dill, Robert Cottingham, Ed Paschke, and Ellen Lanyon. It was a transformative experience that then shaped the process and scope of my own work. After completing my MFA, I worked as a commercial letterpress printer and binder, crafting wedding invitations, business branding, photo albums, and unique portfolio books for professional photographers, while also working as a graphic designer.

I began teaching community-level book arts workshops and after school arts programming, which soon grew into a full-time gig. I spent the next eight years teaching graphic design and book arts at Columbia College Chicago, the American Academy of Art, DePaul University, and the Chicago High School for the Arts. I soon realized there were few outlets in Chicago for folks in the community to learn about book arts, so in 2012, I founded werkspace, a gallery and workshop space on the edge of Chicago’s Humboldt Park neighborhood. Our mission was to create exhibition opportunities for artists who functioned outside of traditional gallery models (artists working with books, paper, and non-traditional materials!) and offer book arts-focused workshops for the greater Chicago community.

After four years of showcasing emerging artists and sharing book arts with Chicagoans of all ages, I knew it was time to return to Richmond to grow the Book Arts Studio at UR in a similar way. I am currently working with generous donors such as Shiu-Min Block and the family of David M. Clinger to put all of our bookbinding and letterpress equipment into use. Over the past 6 months I have been able to work with the CCE staff, American Studies, History, Museum Studies, FYS, and Armstrong High School students on book arts projects, in addition to creating pop-up maker events in the library. Exciting things are happening up there on the fourth floor of Boatwright, so keep your eye on the blog for program updates!

Evolution of the Paperback

boni2 Continuing the Irish theme this month, we came across this book by Francis Hackett—The Story of the Irish Nation. It is a lovely book of stories of a storied land with wonderful illustrations. Not as in depth as some histories, but easily read and very informative.

But this is a situation in which the book itself is even more interesting that the content. This is a Boni Book, which was one of the precursors to the mass market paperback. Albert Boni and Horace Liveright formed B&L Books (which would eventually become Random House). They separated after only a year, and Albert began his “Little Leather Library” in 1920. The books were more a novelty than serious publications.

End papers.

His brother, Charles Boni began printing paperback books by himself in 1929 under the imprint Charles Boni Paper Books. (Reminiscences of a Cowboy by Frank Harris, Rare Book Room F596.H31). They featured wraparound covers with artwork by Rockwell Kent. And there were ornate end papers front and back. They sold by subscription at $5.00 a year for one book a month, or for 50 cents each in stores.

Title page.

Title page.

By 1930, the books became “Bonibooks” and the title pages changed to include both brothers, Albert and Charles Boni, with the date 1930, as in our featured book. These are not the quick and cheap paperbacks that began in 1939 with Pocket Books, but well-made and designed, with good paper and binding. They correspond more to what we today call trade paperbacks.

(The drawings in this book are by Harald Toksvig, not Rockwell Kent. Hackett’s wife’s name was Signe Toksvig, by the way.)

New Materials in Rare Books & Special Collections

Rare Books & Special Collections has acquired a number of new additions this fall, both from generous donors and from purchases, to continue building our rare book and archival collections. Many of these items will be featured in upcoming posts, but we are so excited to have these wonderful items, we thought we’d offer some highlights from our eclectic new additions:

1) The Pennyroyal Caxton Bible (currently on display in the Silent Study Area through mid-December) – This edition of the King James version of the Holy Bible illustrated by Barry Moser, the foremost American master of wood engravings, is the first such illustrated Bible since Gustave Dorè’s edition of the Le Saint Bible in 1865. Volume one contains the five books of Moses, the historical books and the books of poetry. Volume two contains the books of prophecy and the New Testament. Both measure 16 x 11.5 inches and are laid into its own full linen tray case. The beauty of this Bible does not rest on the illustrations alone. It is also a singular typographic achievement and an example of some of the finest printing of our time. The papers were made, some by hand, especially for this project and the exquisitely crafted vellum bindings are a marvel of craftsmanship. (Gift of Bruce and Suzie Kovner).

2) The Library of Julio Santo Domingo: The LSD Archive (currently on display in the Silent Study Area through mid-December) – This two-volume set was privately printed in a limited edition of 500 copies to commemorate the LSD Library, Julio Santo Domingo’s comprehensive collection of rare books, ephemera, manuscripts, art, and other materials focused on altered states of consciousness and related subjects. This 900-page set, finely bound and housed in handmade boxes, is lavishly illustrated with items chosen from the collection, representing literature and graphic arts on topics such as the occult, youth culture, rock music, and drug culture. (Gift of the family of Julio Santo Domingo).

3) New photographic materials include a handheld stereoscope with 14 St. Louis World’s Fair stereo cards and 21 stereoviews of destinations such as Jerusalem, Cairo, Italian catacombs, Kyoto, Tokyo, and the Swiss Alps. Also added were 2 cased ambrotypes of a bookbinder/author and his book.

Opening pages of our new Mother Goose book

Opening pages of our new Mother Goose book

4) Historic children’s literature additions include 5 early American titles dating between 1820 and 1850: Grandpapa Pease’s New Mother Goose (ca. 1848) contains beautiful hand-colored illustrations. The Little Esop (1845) measures just 3 3/16” x 2 ¾” and is a miniature book bound in purple cloth with gold gilded edges.   Other titles include Henry and his Garden (ca. 1830), Rhymes by our Good Old Nurse (ca. 1835), and History of Beasts (ca. 1848). We are also anxiously awaiting a new gift, a 3-volume set of miniature children’s books (2×2”) published in London in 1742-1743, which should arrive in early December.

our 1906 C&P Platen Press

Our 1906 C&P Platen Press

5) Book Arts materials:  As we work on creating our Book Arts studio, donors continue to delight us with special gifts.  This fall we were privileged to receive a 1906 Chandler & Price Platen Printing Press along with letterpress printing type in 108 fonts, the corresponding type cases and cabinetry, type forms, engravings and cuts, along with tools and other equipment.  In a separate donation, we also received an extensive set of tools, projects, and related materials to help us begin supplying our studio.

6) Cutters: There is nothing I hate more than Myself, a limited edition artists’ book exploring words, photographs, and art about the practice of self-harm (gift of the author).

7) University scrapbooks: In the past few months, we have received several scrapbooks documenting Westhampton and Richmond College and the lives of alums, including students who attended in the early 1900s, the 1940s and the 1950s. Along with the scrapbooks, we’ve also received some letter sweaters and even a UR boater hat!

The generosity of our donors continues to amaze us with each new addition.  Our collections are certainly strengthened through their kindness.  We hope that if you are around campus, you’ll drop by Rare Books & Special Collections to explore our materials, new and old!