Author Archives: Matt Perelli

4,000 Years and Counting

Did you know that we have a cuneiform messenger tablet in our Rare Book collection? Do you know what a “cuneiform messenger tablet” is? Back in 2350 BCE, a scribe at a temple in Umma, Sumer (present-day Iraq) repeatedly pressed his wedge-shaped stylus into a 3cm x 3cm clay tablet, recording a “list of provisions supplied to the temple, including oil, meat, dates, and grain. On the edge in fine characters is the date.” Picture a frosted mini-wheat, minus the frosting, and that’s kind of what our tablet looks like. It’s basically a 4,000-year old inventory or accounting document, small enough to be easily transported by a messenger who would then deliver it to be read by another scribe.

Can I read cuneiform? No, no I cannot. Can you read it? Well, you can make a research appointment to study it, but you can’t touch it. So how can you study it? Spring semester of 2024 gave us the opportunity to figure that out.

Professor Elizabeth Baughan, Department of Classical Studies, accompanied one of her students on his research visit to study the tablet. They wore gloves while examining the tablet, but their cell phone photos couldn’t quite capture the detail they needed to further study the tablet on their own time. We enlisted the help of our colleague, Warner, in the Digital Scholarship Lab and the DSL’s high-resolution camera. Those photos turned out much better. One of them will even be used for the thumbnail in the tablet’s catalog entry. But high-res photos still don’t solve the problem of getting your hands on history.

We reached out to Nathan Hilliard-Hansen, the Studio Art Lab Manager, to see if he had the tools to scan the tablet and render a 3D model. He did! Natalie & I met up with Prof. Baughan at Nathan’s lab. Even though his equipment has been able to scan many different objects, including coins, with high-fidelity, the texture of our tablet proved too much of a challenge for the scanning software.

Undaunted, Prof. Baughan reached out to her colleague at VCU, Bernard Means of the Virtual Curation Lab. Natalie escorted the tablet to Prof. Baughan’s lab where Bernard had his equipment set up. A few weeks later, he produced digital files and two 3D-printed models! One life-sized, and one jumbo-sized. The 3D prints don’t quite capture the full detail of the cuneiform, but it’s a tablet you can hold without giving us in the Rare Book Room a heart attack!

Overstuffed file folder containing discolored pages.

Walk You Through The Process

When I tell people my job title, Processing & Reference Archivist, there is always a little pause as they try to figure out what that means. I usually quickly follow up with, “What does that mean?” and give a quick explanation of Reference Archivist and Processing Archivist. The Reference part most people get; it’s the Processing part that most people don’t.

Processing a collection basically means making it usable and discoverable by researchers. There are a variety of actions a collection may or may not require, depending on what state it’s in when we acquire it. One of the basic preservation tasks I undertake is called re-housing. I remove documents from their original folder and place them in a new, archival folder. I transcribe any original information recorded on the old folder onto the new folder, in addition to any information required to identify the folder in our collection.

So, yes, I get paid to move papers from one folder to another. The photo I’ve included helps illustrate why I do that. This badly over-stuffed folder had been sitting in its records carton for about 60 years. It was the first folder in line so had been pressed up against the inside of the box. The “tan lines” on the visible pages demonstrate why archival folders and boxes are different from regular everyday folders and boxes. The folder had protected part of the pages from the surface of the box. Archival folders and boxes are engineered to be free of the acids and lignins that naturally occur in most paper products. You can also see where a rubber band had valiantly tried to hold it together before degrading. Pro tip: do not use a rubber band to hold your documents together. If the rubber band doesn’t tear the edges of the papers, it will inevitably degrade and either stick to whatever surface it’s touching, or come apart just as you’re removing the folder from the box, thereby spilling the papers onto the table, the floor and just all over the place.

I re-housed this beast into five archival folders. As part of that work, I smoothed out any wrinkles and creases, unfolded folded-up documents, removed paperclips (they rust and tear paper), and placed barriers between newspaper or telegrams and adjoining documents. Newspaper, telegrams and similar materials were not intended to last long. They’re cheap, mass-produced materials which quickly degrade and will stain, and weaken, whatever papers they’re filed against because they are not, you guessed it, acid-free or lignin-free.

If you have newspaper clippings stored somewhere at home, don’t expect them to last forever unless you put in a little preservation effort. If it’s just the information you want to keep, consider making a photocopy or digital scan. If the clipping or newspaper itself has intrinsic value, there are polypropylene sleeves of various sizes available from reputable archival supply companies. It’s best to store the newspaper as flat and unfolded as possible. The paper becomes brittle as it degrades, so if you have a clipping folded up in an envelope, be prepared for that envelope to eventually contain newspaper confetti.

If I didn’t take any of these actions, the researchers would be left digging through all the boxes (and for this collection, that’s around 300 records cartons). More likely, I would be the one doing the digging. But taking these actions means I can quickly provide the researcher the information they are looking for. Being a Processing Archivist makes my job as a Reference Archivist much easier.