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Audio Cassette Update

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) Welcome back to another #WyattWalkerWednesday post! This week, we’re keeping up our every other week updates on the A/V materials pattern.

600 cassettes is A LOT, people.

Approximately 500-600 audio cassettes, arranged chronologically. The box on the left edge of the image is commercially produced cassettes, separated from the main work of the collection.

When last I gave an update on the audio cassettes, I was busily arranging them into chronological order, with commercially produced cassettes separated out. This work is almost done – 800 cassettes is a lot to sort through, and unfortunately I do have other daily duties – but progress has also been being made on the inventory.

You may recall I mentioned the inventory last time. It was compiled by some student workers before my time on the project, and it lists each cassette by name and date, as well as speaker whenever possible. Unfortunately, the cassettes weren’t listed in any consistent order, and the dates were written in a way that didn’t allow for sorting the inventory chronologically. Since I’m arranging the cassettes chronologically, I was faced with a dilemma: either clean up the date column, normalizing the data into a format that Excel can sort, or number the cassettes in the inventory one at a time after physical arrangement was finished.

Both of these options have pros and cons. If I wanted to normalize the data, it would be time-consuming to retype 800 date fields, but it would mean I could sort the inventory and save time during the packing process. If I left the dates as is, I could finish arranging the physical cassettes faster – but I’d have to do the date normalization at some point in order to send it out to the digitization vendor.

There were a handful of other factors that tied into the decision, but in the end I decided to take a quick break from arranging the physical cassettes to update the inventory. This started with normalizing the date column, allowing me to sort the inventory into the same order that they should be physically. This also proved useful at cleaning up the data, as there were occasional typos (a year listed as 19846, for instance). I also created a new column to indicate commercially produced cassettes, allowing them to be sorted separately from Dr. Walker’s sermons and church recordings. Since these are physically separated, this is another major improvement that should make things much easier as we prepare a spreadsheet for the digitization vendor.

The physical arrangement is also coming along well, with approximately 600 of the cassettes separated into commercial and non-commercial recordings and arranged chronologically. With about 200 cassettes left to arrange, I’m hoping to be finished with the arrangement before the Memorial Day weekend, and listing and packing can begin next week.

As always, I’ll continue posting updates here, and with luck you’ll see another discussion of the A/V materials in two weeks. Keep in mind that the audio cassettes aren’t the only material being digitized – the 8mm films, 16mm films, and audio reel are also being included in this project! There’s plenty more to do, so keep an eye out for further updates.

Setting Up a Quarantine

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) There is a darker side to processing any collection. One that archivists often try not to talk about. It’s dark, it’s dirty, and it doesn’t always make for good PR. But it’s almost always necessary. This week’s #WyattWalkerWednesday post is about that darker side. This week, I’m going to talk about…moldy material.

Moldy material comes in with a lot of collections. And even in collections where there isn’t any mold, it’s an archivist’s solemn duty to check the collection carefully. Mold is incredibly commonplace and can easily grow on almost any surface. Your first thought is probably moldy paper, but photographs, textiles (clothing and the like), posters, even some digital media storage formats (usually magnetic tape, so floppy disks) can house mold. And anything anybody has ever eaten something near or held in unclean hands can end up moldy. Because not every single human being on the planet is an archivist obsessed with the long-term preservation of every document or object they come in contact with, it’s a safe assumption that at least some of the material in any collection may have come in contact with food or otherwise been exposed to mold.

Mold also spreads incredibly easily. This means that, should an object with mold be moved into a storage space with other archival collections, it can contaminate and infect all the other material around it. This can destroy an entire archives, if left unchecked. Archivists are of course very vigilant about ensuring this never happens.

The Walker Collection is no exception to this constant fear of mold. Because some items in the collection date as far back as the 1950s, and since the items weren’t kept in archival conditions for their entire 60+ year lifespan, there’s a high fear of mold. Because of this, and because of the sheer size of the donation, the material was held offsite until we could check it for mold and bring it on-site for processing in chunks. This week, I spent about 3 hours in off-site storage with Lynda, the Head of Rare Books and Special Collections, sorting through previously unchecked material in the collection. It was hot, dusty, dirty work. But we were successful! Lynda and I managed to look through all the remaining material for contamination, and we brought back a car load of manuscript material to continue processing.

This stuff doesn't have mold! And is probably very important.

Manuscript materials checked for mold and cleared for immediate processing.

While there was some contaminated material found that has to be separated from the rest of the collection, this material is not immediately thrown away. Typically when an archivist finds moldy items, the material is put into a quarantine where it can be observed over time to help us see whether it is active or inactive. From there, an archives can take different remediation steps to hopefully salvage the material and reintroduce it to the collection. This can include freezing the material, cleaning it thoroughly, and maintaining specific environmental settings (relative humidity and temperature) to inhibit mold spore activation and growth. If the mold is found to be already inactive, many of these steps can be foregone and reintroduction to the main collection can occur.

Because it takes time to see if the mold is active or inactive, we won’t be able to tell for a little while what damage might have been done. Mold is also often mistaken for what’s called foxing, a natural process in paper that occurs as it ages, leaving brown dots, spots, and stains on the paper. This is neither contagious nor dangerous for the paper, and the mistaken identification goes both ways. That is to say, many of the materials Lynda and I quarantined for fear of mold may in fact just be foxed, meaning it can be added back into the collection almost immediately. Only time will tell.

So there you have it: the dark, dirty business including in the processing of any collection. With luck, we’ll be able to identify any active mold in the items we’ve quarantined by the end of summer and begin working towards cleaning and reintroducing them to the rest of the collection. In the meantime, there’s plenty of clean manuscript materials to process, so I’m sure I’ll be busy no matter what!

Audio Cassette Processing

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) Happy #WyattWalkerWednesday! (Editor’s note: due to technical difficulties with the blog, this week’s post didn’t go up until Thursday. Our apologies on the delay.) This week, I’ve been continuing my work on processing the audio cassettes in the Dr. and Mrs. Wyatt Tee Walker Collection to prepare them for digitization with our vendor.

As I mentioned last week, we’ve begun to move forward with digitization of the audio cassettes (about 800 of them) as well as a small number of 8mm and 16mm films. We also recently found a reel-to-reel audio reel dated 1967, which will be digitized as well. This material was prioritized for digitization due to the average lifespan of magnetic tape media, generally considered to be 10-30 years. We are still hopeful that the earliest tapes from the 1960s and 1970s will still have enough audio integrity to be digitized, but obviously needed to move on this as quickly as possible.

Thanks to the hard work of our student workers who created the original inventory of audio cassettes, we were able to get several competitive quotes from various digitization vendors. In the end, we selected a well-known vendor who has worked with LYRASIS (the hosting company for ArchivesSpace), the Library of Congress, and other well known, high quality institutions. Several Boatwright Library staff have also worked with the vendor at previous jobs, so we have high confidence in their work.

Unfortunately, the inventory the student workers created was not in the order in which the cassette tapes were arranged. This means that, in order to have the audio cassettes packed and listed in the same order, both the inventory and the physical cassettes need to be rearranged into the same order. Since they will be digitized and the files named in the order that they are received, it makes things much easier moving forward with handling the digital files if they’re organized into a logical and consistent order. Because of this, my boss Lynda and I put our heads together to make sure we started this project out on the right foot with this cassette arrangement work.

Off-screen to the left is another three boxes of tapes waiting to be added to the current arrangement.

Audio cassette tapes from the Dr. and Mrs. Wyatt Tee Walker Collection being arranged into chronological order.

After discussing our options, Lynda and I agreed that the following order makes the most sense. Because some of the cassette tapes appear to be commercially produced, we don’t hold the copyright and digitizing and making them available online would move the library into some murky waters. These were separated out from the other tapes in order to be addressed by the vendor more easily. The remaining recordings, according to their labels, appear to be primarily sermons Dr. Walker gave on Sundays. In fact, we seem to have a nearly full run of every single sermon he gave between 1984 and 2002. (My arrangement work isn’t yet finished, so I can’t say with certainty if we have them all or not just yet.) I am arranging the sermon tapes into chronological order, allowing them to be digitized and easily made available online in the most straightforward way. This will allow future listeners to follow Dr. Walker’s sermons through time, creating the easiest way to trace his development as a theologian and pastor.

An observant viewer may notice the sticky notes labeling the different groups of tapes.

Audio cassette tapes from the Dr. and Mrs. Wyatt Tee Walker Collection that were either commercially published, undated, or unlabeled.

However, not all cassette tapes are so easily arranged. There are quite a few that are labeled with the title of the sermon, but only a month and year. Others have no date at all. And some have no descriptive information at all, leaving us with no guess as to what it might contain or when it was recorded (although comparing the physical cassette to labeled and dated cassettes can give us an estimate on the when, at least to within a few years). These tapes were separated out as well, into one pile of labeled-but-undated and another pile of completely-unknown. The vendor will receive the sermons in chronological order, followed by labeled-but-undated, followed by complete-unknown, and finishing with those tapes that appear to contain copyright material. This allows us to more easily manage the digital files, meaning it’s much faster and easier work to get them available online to researchers – always a major focus on digitization projects in particular and processing work in general.

It’s important to note that audio cassettes are a lot like folders in a filing cabinet. While it makes sense to have labeled a folder and kept its intended contents within it, occasionally people reuse old folders for new material – meaning the label might not be accurate anymore. Cassette tapes are similar, although the tendency to record over might perhaps be a bit stronger: brand new cassettes cost a bit more than brand new folders, after all. This is why we’ll be sending the commercially recorded cassette tapes for digitization; you never know if they’ve been overwritten with something. And of course, the same goes for the chronologically ordered sermons. There’s nothing to say that they weren’t accidentally recorded over, like when a children’s program is stuck onto your favorite movie’s VHS (sorry, kids, you probably don’t understand that one!).

Work on arranging the cassette tapes, arranging the list to match, and packing the tapes is ongoing. I’ll of course keep you all updated on progress, so look for more posts in the future!

Rare Book Room Renovations and the Walker Collection

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) As I hope I’ve expressed in previous posts, the Dr. and Mrs. Wyatt Tee Walker Collection is pretty large, and includes a wide array of different formats for material. All of this, of course, has to fit into the Rare Books and Special Collections spaces here in Boatwright Library, and, coupled with the other collections and 23,000 volumes of rare books the division holds, space has been getting a little tight. So, this #WyattWalkerWednesday, I’d like to talk a little about some renovations to the RBSC space in Boatwright happening to help us expand our storage space and improve our research and instructions areas as well!

Now, some of these renovations you might have already seen if you’ve been on campus. And we can’t credit the Walker collection as the only motivation behind them, as some of it happened even before the 2015 donation. Nonetheless, the work going on now has built upon what’s come before, so let’s start with those earlier projects.

First and foremost is the Rare Book Seminar Room. This is a new classroom that was put up a few years ago to help with instruction within our division, and it’s been very helpful. As I’ve mentioned before, Dr. Walker was adamant that his collection not be used just for research, but for instruction as well. Having this room has meant that as we process materials, we can use them to help teach students about Dr. Walker’s life and work.

At the same time as the Rare Book Seminar Room was put together, our Rare Book Room also got a makeover. This included a nice redesign of the space. The Rare Book Room’s open hours have been canceled this academic year as we prepared for the renovations, so you might not have had the chance to see it. We’ve also rearranged the room in preparation for some renovations occurring — including the installation of some new shelving along one wall — so it looks very new and exciting! The room is already a great place to conduct research, but the new addition will help with staging material for research appointments. We’ll be reopening the room this fall, and we’re always open by appointment.

The Rare Book Room collections being packed and moved into storage in preparation for the renovation.

The Rare Book Room collections being packed and moved into storage in preparation for the renovation.

The new shelves in the Rare Book Room are part of a larger renovation project that we’ve been prepping for since last semester, and which began officially over Spring Break in March. Throughout the beginning of the semester, I worked with some student workers to help pack up the entire contents of our Rare Book Room vault, where the main portion of our collections are held. All of this material was packed up and shifted into some storage rooms by Spring Break, at which point all the shelves and furniture in the vault were stripped out. This was to make room for a new set of compact shelving, which will all but fill the space. The new compact shelving will take our storage space in the vault from 1200 linear feet to 6000 linear feet! With as large a collection as the Walker collection is, you can understand why we might be excited about all that extra footage.

The Rare Book Room vault awaiting its new compact shelving after deep cleaning and paint touchups.

The Rare Book Room vault awaiting its new compact shelving after deep cleaning and paint touchups.

Overall, this will be helping to keep all of our collections in a more secure, environmentally controlled and stable environment, ensuring that our collections will last longer and that we will have faster access for researchers and instruction. This is just another way that we are showing our dedication to preserving Dr. Walker’s unique legacy while maintaining access for instruction use and research into his many, varied accomplishments.

Beginning the A/V Material Processing

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) Welcome back to the Something Uncommon blog with another #WyattWalkerWednesday post! This week, I want to let you all know about progress happening on some non-manuscript materials within the collection.

Some of the audio cassettes donated as part of the Dr. and Mrs. Wyatt Tee Walker Collection.

Some of the audio cassettes donated as part of the Dr. and Mrs. Wyatt Tee Walker Collection.

Now, if you’ve been keeping up with the posts concerning the Dr. and Mrs. Wyatt Tee Walker Collection, you may recall that I said we would be focusing first on the manuscript materials and turning attention towards the A/V (audiovisual) material later. This is partially to ensure that we can open the manuscript portion of the collection to researchers as quickly as possible, as processing manuscript materials can be done much faster than A/V materials. Let me talk about what A/V materials are – and why they’re so much harder to process – before telling you all the great news!

So A/V material, or audiovisual material, is a term used to refer to a whole host of different types of materials. These typically include audio recordings, video recordings, and still images. Each of these categories can take multiple forms, of course. Audio cassettes, vinyl recordings, even wax cylinders – these are all audio recordings, so they fall into the A/V material category. Similarly, video recordings can be on DVD, VHS, or film reels – the Walker Collection includes some 16mm film reels and a couple 8mm film reels as well. Photographs and other still images are perhaps the mostly widely varied – you have photographs, tin types, cyanotypes, various slides, photograph negatives, daguerreotypes, and so forth. There are archivists who specialize specifically in different types of A/V materials, because each format has its own preservation requirements, including what it should be housed in, what temperature the room should be kept at, and even if it can be viewed under different kinds of light.

The Walker Collection has a lot of different formats for A/V material. As I mentioned above, we have different formats of video recordings, and I’m sure I’ve mentioned before the 10,000 or so slides and countless photographs. Since I’m more of a generalist/digital archivist, I don’t have the level of expertise with A/V materials that would let me process these materials as quickly as manuscript material, so I’ve been working through the manuscript items first to let researchers have access faster. However, one thing that most archivists know immediately about A/V material is that it is almost never as stable as manuscript material.

Another format we have plenty of is audio cassettes. In fact, our current inventory lists 780 audio cassettes, some dating from as early as the 1960s. While my predecessor and I have been processing the manuscript material for the collection, some of the student workers here at Boatwright Library created an inventory of the audio cassette tapes for us. This has allowed us to get quotes from various digitization vendors to move forward with this important work: the “life expectancy” (how long the recording will be accessible) for cassette tapes sits somewhere around 10-30 years, according to most estimates. This means that, in the case of the earliest of these recordings, we may already be too late – but we have to try. As such, we’ve begun moving forward on a digitization project with a large portion of the A/V materials, with the 700+ cassette tapes taking center stage.

All of this is very exciting, especially for the cassettes, film reels, and single reel-to-reel audio recording we have in the collection. Details on the project – and the eventual end result, digitized copies accessible to researchers who’d like to hear the sermons and speeches of Dr. Walker – will be forthcoming. The project is still in its early stages, but I’ll keep you all updated on this – as well as my progress processing the manuscript materials – as progress happens. So keep an eye on this space!

“Legal” files from SCLC in the Walker Collection

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) Hello, and welcome to another #WyattWalkerWednesday post! I’ve been busy processing the Dr. and Mrs. Wyatt Tee Walker Collection, and I’m still in the middle of Dr. Walker’s SCLC records. One of the interesting finds I came upon this week was a group of folders all labeled “LEGAL” that seem to touch on a variety of topics.

Original folders labeled "LEGAL" in the Dr. and Mrs. Wyatt Tee Walker Collection.

Original folders labeled “LEGAL” in the Dr. and Mrs. Wyatt Tee Walker Collection.

As you can see in the above photo, the folders aren’t labeled just LEGAL (except for a few that are). Most of them have clarifying details, which are where things get really interesting. Perhaps most notable for researchers is the folder labeled “LEGAL FREEDOM RIDE.” And while these documents will certainly be interesting, my interest was particularly focused on the back folder. Perhaps not visible enough to be legible in the photo, that folder’s label reads “LEGAL Petersburg VA.”

We have very little material from Dr. Walker’s time in Petersburg. The collection was donated beginning in 2015, and by then Dr. and Mrs. Walker had been away from Petersburg for over 50 years, so it makes sense that the amount of material they had kept from that time would be less than from more recent work, especially their work in Harlem. Nonetheless, anytime material connected to Dr. Walker’s time in Petersburg and Richmond comes up, I’m especially excited!

The Petersburg legal folder contained three documents, each stapled. These appear to be copies of lawsuits and supplementary information filed with the suits, all of them in the East District or Richmond District of Virginia. The suits appear to be focused on the integration of bus stop lunch counters in Petersburg, which was the first civil rights work that Dr. Walker worked on – just before his work on integrating the public library in Petersburg. We have some records pertaining to his work on the library, but so far had found nothing about the bus stop lunch counters. This materials in this folder, then, play an exciting role in filling a hole in the collection’s historical record, documenting some of the first civil rights work Dr. Walker did during his time in Petersburg.

It’s important to note that the folders pictured above will not be making it into the collection, even though the material held inside them will be. A major part of processing a collection is rehousing the materials in archival quality folders and boxes. This helps preserve the material, extending its lifespan to ensure its availability for generations to come. Once the collection opens, the materials themselves will still be accessible, so don’t worry!

SCLC Files from Dr. Walker

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) While the vast majority of the material in the Dr. and Mrs. Wyatt Tee Walker collection naturally focuses on Dr. and Mrs. Walker and the work they have done throughout their lives, an interesting chunk of material appears to have come directly from the administrative files of the Southern Christian Leadership Conference while Dr. Walker was full-time director, namely 1960-1964. For this week’s #WyattWalkerWednesday post, I wanted to talk about some of the material that I’ve come across processing these administrative files recently.

Public statement by Dr. Martin Luther King, Jr. addressing the situation in Greenwood, MS. Click to enlarge.

If you’re looking for the big reveal, you might overlook administrative files. After all, they’re primarily official, internal documents of an organization – chances are you aren’t going to get any secrets scribbled in the margins. But if you’re a researcher who wants to know more about the SCLC or Dr. Walker’s work during his four-year tenure as executive director, these are a goldmine.

We have proofs of the public newsletters that SCLC published (as well as published copies) that will help highlight many of the activities the organization was involved in. Most of these would probably have been glossed over in the national narrative of the Civil Rights Movement, so this level of detailed information can be invaluable. We also have several years’ worth of correspondence with the organization, many of which are addressed to Dr. King – but handwritten notes indicate that “WTW” dealt with much of this instead. Some correspondence is also addressed to Dr. Walker, including a telegram from JFK inviting him to take part in a civil rights summit at the White House in the summer of 1963.

Most recently, I’ve come across several folders labeled “MLK” within these documents. This label is a little too generalized to be helpful, considering that MLK was the president of SCLC and played an important role in its operations. So naturally, I get to dig a little deeper into their contents in order to more appropriately organize and describe them. And this digging into these folders yielded some unique and interesting documents.

One of these folders held correspondence to SCLC, but specifically written requests for “hi-fidelity” recordings of “The American Dream,” a speech of Dr. King’s published by SCLC on vinyl sometime in late 1962. These letters date from November of 1962 into December of 1963, and include continued correspondence from some writers whose orders were delivered broken. While not intellectually scintillating, this material is still interesting in gauging the SCLC’s national prominence.

Another folder contained public statements made by Dr. King during 1963. This includes interviews conducted by various television news programs, as well as press releases put out by SCLC. Perhaps most interesting is an undated document addressed to Attorney General Robert F. Kennedy. This document, focusing on the police brutality occurring in retaliation to black citizens attempting to register to vote in Greenwood, Mississippi, is a powerful piece decrying the use of police dogs and other violent means of stopping nonviolent protests and civic engagement. Such a document can be a vivid reminder in a time when the general public may not have a detailed understanding of the time.

As always, the material archivists find during processing can carry a strong emotional impact. I’ll keep sharing these sorts of discoveries as I move through the collection – there’s a lot left to go through! Keep an eye out here and on our other social media accounts for updates.

The 50th Anniversary of MLK’s Assassination

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) Previous #wyattwalkerwednesday posts have discussed the close friendship and collaboration on civil rights work between Dr. Walker and Dr. King. Today, which marks the 50th anniversary of Dr. Martin Luther King, Jr.’s assassination, seems a poignant moment to look at both men, their friendship, and their legacy.

A letter, framed, from Coretta Scott King to Dr. Walker, thanking him for his work in organizing Dr. King’s funeral and support after Dr. King’s assassination.

Dr. Walker and Dr. King first met in the early 1950s while they were both at seminary, presidents of their respective classes and in charge of their respective inter-seminary groups. Dr. Walker credits Dr. King’s work as the reason he first accepted the non-violent approach to civil rights work, and we have correspondence in the Dr. and Mrs. Wyatt Tee Walker Collection between Dr. Walker and Dr. King discussing this approach to protest from as early as the late 1950s, when Dr. Walker was pastor at Gillfield Baptist Church in Petersburg, VA. In fact, we have a letter from Dr. King to Dr. Walker from late 1958 expressing Dr. King’s support for Dr. Walker’s “Prayer Pilgrimage,” a protest Dr. Walker had discussed with Dr. King during a visit to the King family. The Prayer Pilgrimage was a march held on New Year’s Day of 1959, starting at a mosque in Richmond, leading across a dozen or so blocks, and ended at the south portico of the Virginia State Capitol. This march, titled in full a Pilgrimage of Prayer for Public Schools, was held to protest Virginia’s resistance to the integration of public schools. Dr. King recorded remarks and sent them to be played at the march as a show of support, for which Dr. Walker thanked him profusely in a later letter.

Of course, Dr. Walker and Dr. King began working together much more closely in 1960, when Dr. Walker was made the first full-time director of SCLC and the unofficial right hand man of Dr. King. The next four years would prove wildly successful for both men and SCLC, culminating in such notable milestones as A Letter From Birmingham Jail, the March on Washington and “I Have A Dream” speech, and the 1964 Civil Rights Act. While Dr. Walker left SCLC in 1964, he and Dr. King remained close friends. Ten days before his assassination, Dr. King installed Dr. Walker at his installation service at Canaan Baptist Church of Christ in Harlem. In his oral history interview for the University of Richmond, Dr. Walker notes that this installation service was the last time Dr. King preached in New York before he was killed.

But the story of Dr. Walker and Dr. King does not end with Dr. King’s death. Coretta, recently widowed, reached out to ask Dr. Walker for his assistance in planning the funeral and homegoing service, including the march to Morehouse. This final service to Dr. King, attended by some 400,000 people, was one of Dr. Walker’s “capstones” as an organizer.

And so today is a day for remembrance, not only of the man Dr. Martin Luther King, Jr. was, but of the work he and Dr. Walker did for this country in the 1950s and 1960s. Their fight against the racism woven into the fabric of American culture and government, the economic inequality of American life, and the progress they made against these forces not only improved the lives of Americans, but have become a memorial of their work together and lifelong friendship. Much as Dr. Walker felt that he was part of “the unfinished revolution of 1776,” his work and Dr. King’s did not end with their passing, a message that should be held close in all our hearts on this anniversary.

In honor of Dr. King, the University of Richmond will be taking part in an international tolling of the bells. The University’s bells will toll 39 times at 7:05pm, marking Dr. King’s 39 years on Earth at the minute his death was announced nationwide.

Dr. Walker’s War on Drugs

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) While much of our #WyattWalkerWednesday posts have focused either on Dr. Walker’s civil rights work or his lesser known activities, we haven’t done much to highlight his work at Canaan Baptist Church of Christ and the Harlem community. This week, we take a look at one of the most well known photographs of Dr. Walker and the impact that moment had on his life.

Dr. Walker was well known in Harlem, NYC, and New York State for many different reasons. He co-founded the first charter school in the state, he worked with Governor Rockefeller for a decade, he was a major proponent and developer of affordable housing in the community, and his church choir won major awards under his leadership. But Dr. Walker’s passionate sermons and the connections he drew between his religion and the world around him was perhaps most inspiring and noteworthy. He was certainly not afraid to draw concrete links between biblical topics and current events. And he was not afraid to address the general public directly about these events.

One of his most famous sermons was held not in Canaan Baptist Church of Christ itself, but on top of a car in the streets of Harlem. Dr. Walker delivered this sermon through a bull horn, standing on the trunk of a car with one leg on the roof of the cab. The car was parked outside a pizza parlor infamously known as the front for a local drug ring run by the mob in Harlem. The New York Times had a presence in the crowd around Dr. Walker as he gave this sermon, and their photograph of the event is perhaps one of the best known photos of Dr. Walker to date (a copy of which is included in the Dr. and Mrs. Wyatt Tee Walker Collection here at the University and can be seen hanging in the Rare Book Room Annex).

Photograph of Dr. Walker preaching through a bullhorn atop a car in Harlem, NYC.

Photograph of Dr. Walker preaching through a bullhorn atop a car in Harlem, NYC.

This sermon, delivered on April 5, 1970, focused on the community’s love for their children. Dr. Walker preached in front of a mafia-run drug front, convincing parents to steer their children away from such places and to bring them instead to the church and leadership of Christ. In his oral history recorded for the University of Richmond, Dr. Walker attributes the management of the “recreational unit” to Frank Lucas, the gangster portrayed by Denzel Washington in American Gangster. In fact, Dr. Walker said that Lucas put a hit out on Dr. Walker after that sermon — one of two hits he had on his life. (The other he attributes to black nationalists who were upset that Dr. Walker planned a state office building in Harlem.)

This story shows yet another aspect of the renowned Dr. Walker, one that is perhaps well known but overshadowed nonetheless by his work in the Civil Rights Movement of the 1950s and 1960s. Dr. Walker cared deeply for his church and his religion but also for his community. He showed this care in many different ways, including much of the development work he did throughout his life. He developed housing and education opportunities for the community, but he also did his best to protect them from those who would lead them into lives of addiction and violence.

What Being a Spider Means for the Walker Collection

(Note: This post was authored by Taylor McNeilly, Processing & Reference Archivist.) You may not be aware, but March 14 isn’t just Pi Day (although you should definitely be having a slice of pie while you read this). March 14 is also National Spider Day, and the University of Richmond – with its proud and prominent mascot, the spider – can’t help but celebrate.

Since this once-a-year holiday happens to fall on #WyattWalkerWednesday this year, I thought I’d take the opportunity to write a different kind of post about the Walker Collection. So instead of focusing on an item I’ve come across processing the Walker Collection, I’m going to focus on what it means for the Walker Collection to have come to the University of Richmond and some of the ways we’re supporting and using the collection.

A photograph and poster on display from the Dr. and Mrs. Wyatt Tee Walker Collection.

A photograph and poster on display from the Dr. and Mrs. Wyatt Tee Walker Collection.

As I’ve mentioned in previous posts, the Dr. and Mrs. Wyatt Tee Walker Collection is immense. Not only is it comprised of a large amount of material, but that material is itself comprised of a large number of media formats. Many people think of archival collections as manuscript collections, i.e. paper-based collections. And of course, the Walker Collection includes boxes upon boxes of paper materials, including handwritten items, typewritten manuscripts, commercial advertisements, and published materials. But that’s just the tip of the figurative iceberg with the Walker Collection. We have vinyl records, photographic slides, actual photographs, photograph negatives, audio cassettes, VHS tapes, foam-mounted posters, and even some 8mm and 16mm film reels. There are awards made of glass, awards made of wood, awards made of metal, awards made of plastic, and awards made of all different combinations of material. There’s even an award that includes a globe made of different gems and stones. There are ceremonial robes and everyday robes, there’s even an engraved walking stick. There’s a silver tea set, an aluminum cup, and a golf trophy. There are so many different kinds of items in the collection that just identifying them allĀ  can be a real challenge (are those Super 8 or Standard 8 film reels? Is this 16mm film an acetate base? Is this award bowl made of stone, ceramic, or something else?)

Luckily, with the Walker Collection’s donation to the University of Richmond, we have the expertise to identify most of these formats right away. Most archivists could do this with a bit of work, but where the Spider Pride comes into the equation is in creating access to these materials. It’s all well and good to know that you have a Super 8 film reel, but how do you allow researchers to view it? How do you preserve the audio cassettes that are already beginning to fade with age while also letting researchers listen to them? The University has the know-how to make these many and varied formats accessible while still preserving the items, and we’re looking into options now to help make this possible as quickly as we can.

But the University of Richmond is, first and foremost, an institute of higher education. And that is how we can fulfill one of the most important of Dr. Walker’s wishes when he donated the collection: using it for education. Dr. Walker was a passionate supporter of education throughout his life, working as a teacher even after he moved to Virginia and retired from preaching. It was his fervent wish that the collection that bears his name be used not just for scholarly research but also for education. And the University of Richmond is uniquely positioned to help fulfill that role of the collection, using it in instruction sessions for classes, potentially lending items to other institutions for display, and someday even digitizing it for more widespread use.

Finally, I would just like to say that much of my Spider Pride comes from my work on the Dr. and Mrs. Wyatt Tee Walker Collection. I am proud to belong to an institution that recognizes and honors the people who have worked so hard to better not just their state or country but the entire world.